No matter how much I try to avoid it, I see more similarities than differences in everything I write. But is that a problem?
How I decided to try taking the plunge back into screenwriting.
The screwing of screenwriters: they can't even take their names off a production anymore.
How "story beats" have killed storytelling, especially in Hollywood.
Why checklist-driven, beat-structure construction works in the short run but is ruinous in the long run.
The number-crunchers have arrived in the screenwriting department. Pray.
How I would have fixed Jon Favreau's cross-genre dud.