All posts for Movies in 2008

Nightmare Detective

Shinya Tsukamoto is at a point in his career where I will see any movie with his name on it. Maybe not a wise thing, but there you go. After he created Tetsuo: The Iron Man, he pretty much put...

Blade Runner

Blade Runner is not about the cities of the future, but about the human race of the future. This probably seems like heresy when talking about a film which has become to visions of the urban future what J.R.R. Tolkien’s...

Death Trance

Death Trance comes to us courtesy of the same Japanese school of glorious cinematic overkill that brought us Versus, Machine Girl, Meatball Machine and Tokyo Gore Police, and will no doubt bring us many more such examples of wretched excess...

The Happiness of the Katakuris

The inside of Takashi Miike's head must be like a cinematic scrapyard, where the front end of a musical comedy can be bolted onto the back end of a Coen Brothers-like thriller. That's more or less what he's done in...

Sukeban Boy

Sukeban Boy is a cheap, crass little movie about a punk kid with the face of a pretty girl, which causes no end of difficulty in his rough-and-tumble high school years. Please note, I am not using the words cheap...

Horrors of Malformed Men

Horrors of Malformed Men isn’t really an adaptation of any one, or even two, or even three stories by Japanese mystery/horror icon Edogawa Rampo. It’s like a movie version of one of those jazz jam sessions where the band somehow...


Neil Marshall’s Doomsday is like something you’d get from a random movie generator, with the Genre Mashup and Stylistic Overkill meters all turned up to 11. I can safely say that no other movie I have seen so freely intermixes...

Pyrokinesis (Cross Fire)

Pyrokinesis (Cross Fire in Japan) is a frustrating mixture of good and bad elements, a solid premise dragged down by needlessly hammy emotional moments and outright clumsy direction. I’m fairly sure this isn’t a case of things getting lost in...

Karaoke Terror

Some movies come off like actor’s workshop experiments, where the players are given a scenario—no matter how improbable—and are expected to play it straight through without breaking character. Karaoke Terror plays like an anthology of such scenes, with the common...

Machine Girl

Machine Girl is all the proof you need that low-budget exploitation cinema is alive and well. Instead of looking for it in the now-demolished fleapit theaters of Times Square, it’s coming to you in the comfort of one’s own living...

Violent Cop

The key to Violent Cop is not in the violent moments, but in the shots where Detective Azuma (Takeshi Kitano) just stands there. Late in the movie, after he has been thrown off the force and his friend has...


Sunshine takes a movie premise that has been done to death and does it so well that it almost feels like this idea has never been tried before. There’s a whole subgenre of movies where an intrepid crack team...

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